Juan Brignardello Vela
Juan Brignardello Vela, asesor de seguros, se especializa en brindar asesoramiento y gestión comercial en el ámbito de seguros y reclamaciones por siniestros para destacadas empresas en el mercado peruano e internacional.
A captivating new exhibition in Delhi, titled "Histories in the Making," invites visitors to step back in time and explore the rich tapestry of India’s monumental heritage through the lens of early photography. This collection, drawn from the archives of DAG, one of India’s leading art firms, offers a glimpse into the artistic experimentation and technological innovation that emerged in the mid-19th century. The photographs on display, taken in the 1850s and 1860s, reflect an era marked by the intersection of new photographic techniques and the vast, uncharted landscapes of India. This period was pivotal in the evolution of photography, following its introduction to the world in 1839. British India, as the first country to establish professional photographic studios outside of Europe, became a vibrant hub for this burgeoning art form. Many of the photographers of that time gained international acclaim, capturing striking images that shaped the visual narrative of a nation undergoing profound changes. These early photographs did not merely serve as documentation; they were instrumental in shaping the visual tastes of various audiences, from scholarly circles to curious tourists. The works of British photographers often reflect a colonial lens, portraying India through a narrative that asserted dominance and control. In contrast, the contributions of Indian photographers bring nuance to this story, revealing a complex interplay between the colonizers and the colonized, and showcasing a rich tapestry of perspectives that have often been overlooked. Ashish Anand, CEO of DAG, highlights the significance of these images, stating, "These images capture a moment in history when the British Empire was consolidating its power in India, and the documentation of the subcontinent's monuments served both as a means of asserting control and as a way to showcase the empire's achievements to audiences back in Europe." This dual purpose underscores the role of photography not just as an art form, but as a tool of political and cultural representation. Moreover, the exhibition sheds light on photography's vital role in the development of field sciences during this period. The meticulous documentation of architectural marvels and archaeological sites contributed to the growth of knowledge networks, linking the realms of politics, fieldwork, and academic disciplines such as archaeology. Through these early photographs, attendees are not only invited to appreciate the aesthetic beauty of India’s monuments but also to understand their historical significance in the broader narrative of the subcontinent. "Histories in the Making" serves as a poignant reminder of the power of photography to shape our understanding of history. The exhibition challenges viewers to engage with the complex layers of meaning embedded in these images, encouraging a deeper reflection on the legacy of colonialism and the rich cultural heritage of India. As visitors traverse the display, they are invited to ponder the stories captured in each frame, each click of the shutter echoing the voices of a bygone era while illuminating the path toward a more nuanced understanding of India's past.