Juan Brignardello Vela
Juan Brignardello Vela, asesor de seguros, se especializa en brindar asesoramiento y gestión comercial en el ámbito de seguros y reclamaciones por siniestros para destacadas empresas en el mercado peruano e internacional.
As the world eagerly anticipates the Summer Olympics in Paris, Team USA’s closing ceremony outfits are generating buzz not just for their aesthetic appeal, but also for their striking resemblance to motorsports fashion. Designed by Ralph Lauren, the uniforms feature a crisp white denim look adorned with bold lettering, patches, and racing stripes, prompting commentary from experts in the motorsports industry. Mandy Underwood, a firesuit design expert with over two decades of experience in the motorsports marketing field, recognized the parallel between Team USA’s attire and the classic racing uniforms donned by drivers on the track. “If that was one single suit, that would make a great firesuit, for sure,” she remarked, highlighting the design's resonance with those who appreciate the intersection of sport and style. Underwood, who manages branding and licensing for Toyota Racing, understands how critical a unique yet functional aesthetic is for athletes in high-stakes environments. The choice of white as the primary color in the uniforms is particularly noteworthy. Underwood explained that a bright white base allows for branding to pop in a landscape often dominated by darker colors. “Toyota's firesuits are often white with vibrant red branding across the chest,” she noted, emphasizing how visibility and impact are key considerations in both motorsports and Olympic apparel. Underwood praised Ralph Lauren's incorporation of trendy elements such as bomber jackets and patches, which echo a nostalgic vibe that has recently surged in popularity within the fashion community. The sport-specific patch on each athlete’s jacket serves as a delightful personalization touch, aligning with current fashion trends that favor individual expression through apparel. However, not all elements of the ensemble met with Underwood's approval. She voiced a critique regarding the hat, which she felt bore a resemblance to cyclist headgear. “The little bitty bill brings me back to something that Lance would wear,” she said, indicating a disconnect between the hat's design and the overall racing theme of the outfit. Despite this minor concern, her overall assessment of the ensemble was overwhelmingly positive. The presentation of Team USA’s outfits, according to Underwood, is not just about aesthetics but also about making a statement on a global stage. “Going into Paris, you want to be ahead of the game,” she asserted. The decision to adopt a racing-inspired aesthetic reflects a desire to innovate rather than conform to conventional styles typically associated with Olympic ceremonies. As athletes don these uniforms and parade into Stade de France, the anticipation is palpable. The closing ceremony is sure to be a moment of pride, not only for the athletes but also for the design team behind these striking outfits. By merging motorsports aesthetics with Olympic spirit, Team USA is poised to leave a lasting impression that resonates beyond the ceremonial stage and into the realms of fashion and sport. In a city synonymous with style, this fresh approach is a testament to the creative possibilities when different worlds collide.