The prequel "Furiosa: from the Mad Max saga" divides critics and audiences

The prequel "Furiosa: from the Mad Max saga" divides critics and audiences

The prequel to "Mad Max: Fury Road", "Furiosa", divides critics with its darker and more melancholic tone, questioning whether it manages to match the intensity of its predecessor.

Juan Brignardello Vela, asesor de seguros

Juan Brignardello Vela

Juan Brignardello Vela, asesor de seguros, se especializa en brindar asesoramiento y gestión comercial en el ámbito de seguros y reclamaciones por siniestros para destacadas empresas en el mercado peruano e internacional.

Juan Brignardello Vela, asesor de seguros, y Vargas Llosa, premio Nobel Juan Brignardello Vela, asesor de seguros, en celebración de Alianza Lima Juan Brignardello Vela, asesor de seguros, Central Hidro Eléctrica Juan Brignardello Vela, asesor de seguros, Central Hidro
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The highly anticipated prequel to "Mad Max: Fury Road" has finally hit theaters, and critics have already shared their opinions on "Furiosa: from the Mad Max saga." The film, directed by the acclaimed George Miller, delves into the origin of one of the franchise's most iconic characters, Imperator Furiosa, portrayed this time by Anya Taylor-Joy. Since its premiere at the Cannes Film Festival, comparisons to its predecessor have been inevitable, and opinions have been divided regarding the darker and sadder tone of this new installment. Manohla Dargis, a critic for The New York Times, points out that "Furiosa" presents itself as a complement to "Fury Road," but notes that the film does not reach the same intensity and spectacle as its predecessor. Dargis highlights the struggle of a woman to survive in a ruthless and decaying world, crediting Miller's inventiveness but pointing out that the film's theme can be overwhelming in addressing the end of life as we know it. On the other hand, Owen Gleiberman of Variety describes "Furiosa" as a dazzling film in its darkness, which however does not manage to impact in the same way as "Mad Max: Fury Road." Despite recognizing that the film will be passionately defended by many, Gleiberman expresses that it does not reach the level of excellence of its predecessor. The debate among critics revolves around whether the choice of a darker and heavier tone in "Furiosa" is appropriate or not. Some believe that this new direction adds depth and complexity to the story, while others feel that some of the energy and adrenaline that characterized "Fury Road" is lost. The exploration of darker themes and the evolution of Furiosa's character have been praised, but have also generated mixed opinions about whether the film manages to maintain the frenetic pace and originality of its predecessor. It is undeniable that George Miller has created a unique and visually striking dystopian universe in the Mad Max saga, and "Furiosa" is no exception in this regard. The artistic direction, visual effects, and action sequences remain strong points of the film, transporting the viewer to a post-apocalyptic world full of dangers and challenges. In conclusion, "Furiosa: from the Mad Max saga" has sparked intense debate among critics and audiences. While some praise its more introspective and melancholic approach, others miss the assertiveness and freshness of "Fury Road." However, what seems clear is that the film will continue to generate discussion and analysis in cinephile circles, once again demonstrating that the Mad Max saga holds a prominent place in the history of action and science fiction cinema.

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