Controversy in equestrian dressage during the Paris 2024 Olympic Games.

As the eyes of the world turn to Paris, where the 2024 Olympic Games are being held, one sport in particular has captured attention, not only for the athletic skill it requires but also for the emotional connection established between rider and horse in dressage. This art, which many consider a "dance of the horse," demands not only technical ability but also a deep understanding of the animal being trained. As competitions progress, the debate over the ethics of horse training intensifies, especially following a recent scandal that has shaken the world of dressage. The event in Paris is not without controversy. Recently, a disturbing video of a well-known equestrian using a whip excessively during a training session has sparked outrage among fans and animal rights advocates. Many argue that dressage should be an expression of harmony and mutual respect, not coercion. This incident has even led to the resignation of Charlotte Dujardin, one of the most prominent figures in the discipline, leaving a void in the British team that will be filled by her reserve, Becky Moody. Becky Moody, with a remarkable career, is ready to take on the responsibility of preparing her horse, Jagerbomb, for competition. Moody, 44, has worked for years to transform this horse from a young colt with little promise into a highly sought-after competitor on the circuit. Her story is a testament to how patience and dedication are essential in teaching a horse to dance, a task that resembles more the education of an artist than the simple domestication of an animal. Finding the right horse is the first step. Moody was not fortunate enough to buy a champion but dedicated herself to breeding and training Jagerbomb from a young age. Although her horse did not show outstanding abilities at first, Moody saw potential in him. It was only at six years old that Jagerbomb revealed his true talent by executing movements that dazzled his rider, becoming a rising star in the sport. Dressage training is a rigorous and delicate process. Moody trains her horses three to four times a week, limiting sessions to 40 minutes to avoid fatigue and boredom, as Laura Tomlinson points out, horses are like children: they need stimulation to maintain their interest. Training begins with basic movements, and as the horse becomes familiar with these, more complex movements are introduced that require a high degree of communication and connection between rider and horse. A surprising tool in this process is the mirror, which Moody uses to correct Jagerbomb's posture and ensure that both are aligned in executing their movements. This method is not only practical but also helps develop greater body awareness and a visual connection that is essential for any artistic performance. In addition to the technical aspects, presentation also plays a crucial role in dressage. Judges, although they do not evaluate the appearance of the horses and riders, are human, and their decisions can be influenced by visual aesthetics. Moody has taken measures ranging from braiding the mane to using extensions in Jagerbomb's tail, ensuring that her horse looks its best during competitions. Music is another vital component, especially during the freestyle test, where riders are allowed to showcase not only their technical skill but also their creativity. Moody works with a composer to create a soundtrack that complements the choreographed routine, adjusting Jagerbomb's movements to melodies that reinforce the theme of her performance. In her case, a medley of Tom Jones hits will serve as the backdrop, an approach that, although unconventional, resonates with her horse's personality and promises a memorable performance. As the Olympic Games unfold, dressage remains a spectacle that merges art with athletics. However, the recent controversy has raised important questions about the treatment of horses in the sport. The connection established between rider and horse is not only fundamental to success in the arena but must also be based on respect and love, elements that should prevail over any ambition for victory. The equestrian community has the responsibility to ensure that dressage does not become a mere spectacle but continues to be a celebration of the unique relationship between humans and horses.